One of the greatest challenges in designing warning markers for a future so distant as (at least) 10 millennia is that it is impossible to run an accurate simulation to determine how a message will be received through years of cultural, political and societal change. Yet there are already plenty of experimental results which display the survival of meaning in a structure over thousands of years; we only need to look in the past. When considering their marker designs, the Human Interference Task Force, and later the Waste Isolation Pilot Plant team, used lessons learned from monuments throughout history to model their requirements.
Serving as the foremost archeology consultant for the HITF was Maureen Kaplan, who later contributed to the design panel of the WIPP project as well. The first distinction she used in her research was that historical markers were composed of 3 communication elements: Language, pictures, and symbols. Outlined in her report were 6 different historical examples of ancient markers surviving at least 1,000 years, including information on their location, history, material composition, intended purpose, state of preservation, and relevance to repository marker construction.The first and likely most famous of the archeological examples are the Pyramids of Giza. One of the most impressive features of the already breathtakingly enormous structures is how long they’ve lasted, 5,000 years, which is half of the nuclear semiotic time frame, and for the most part they’ve remained both physically intact and recognizable in purpose: tombs for the rulers who constructed them. If records of Egyptian culture in historical documents, like the writings of Herodotus, Pliny the Elder, and Abd el Latif weren’t available to designate the intent of the great pyramids, the same intent could be gleaned from the numerous markers and writings inside the tombs themselves, displaying the efficacy of redundant linguistic and pictorial markers used in tandem with physical and symbolic ones. The structure of the pyramids has remained untarnished for a number of reasons, but mainly their immense bulk, which dampens the effects of erosion and discourages the quarrying of its materials or removal under new governments.
Utilizing size works for the pyramids, as they’re built to designate a certain spot, however, a nuclear repository would have to cover an area at least 14 times the size of a pyramid, and the devotion of resources to a pyramid of that size is impossible, or at the very least impossibly uneconomic. Additionally, over the centuries the tombs have been entered through under the pyramids and looted, aided by the fact that the written tradition around the pyramids informed people of the treasures inside. Hopefully any writing about nuclear waste repositories will avoid conveying the impression of having valuable contents, though this presents the possible benefit of adding buried markers to the system to discourage digging under the site (we’ll get back to this later in the post). Though nuclear waste markers with a pyramid’s shape and size would be inefficient, the pyramids are a testament to the longevity of a structure’s purpose through surrounding information.
The next archeological marker Kaplan examined are the Stonehenge megaliths in England. Out of the 6 archeological examples, these are the most similar in shape to the eventual waste marker proposals, and for good reason; a pattern of numerous standing stones around 13 feet high is physically imposing whilst still requiring less building resources as the pyramids, and even though around a third of the stones have been lost in the roughly 3500 years since the monument was finished, you can still tell each one is part of a greater formation due to their redundancy and proximity to each other. Stone seems to be a favorable material choice for markers, as proven by this example, which has survived both an unfavorably moist climate and an unfavorable political climate, standing strong amidst multiple invasions, the wars of the roses, and the two world wars. The glaring downside to Stonehenge’s success (for our purposes) is that despite its physical longevity, historians are still unclear about its original function due to a lack of inscriptions or records regarding the monument.
There are other historical structures which have survived due to consistent maintenance, though, perhaps implying that a nuclear waste warning structure could see a similar treatment from future civilizations. For instance, the Great Wall of China, another monument lasting over 2,000 years. Throughout its history it’s been breached in battle numerous times, then repaired with new materials, giving it a patchwork construction that remains structurally sound. The defensive purpose it serves, as well as oral and literary tradition remarking on its impressive creation and duty have incentivized its restoration. This may be a good indicator that nuclear waste repository markers will be maintained, as both structures are designed to protect the people surrounding them.
All in all, there are a few clear trends within these structures. The most survivable designs are made of stone, such as basalt or granite rather than marble or limestone, and have redundant patterns that can function even if part of the whole is removed. Kaplan’s 6 examples are all constructed from natural materials, which contributes to their lifespan, as metals have a tendency to be looted, recycled, or corroded (as is the case with the Acropolis). Additionally, it seems the longevity of the meaning behind these structures is dependent on written and pictorial markers, both on and off the site itself, and that structures serving a specific purpose to the civilization or community are more likely to be renewed, though also more likely to be damaged. Building the markers so that the entire system can be seen at once at eye level, rather than relying on an aerial perspective for the message’s reception, may play a part in reinforcing its cultural and symbolic memory.
Using archeology as a reference for deep-time structural design is an intriguing inversion of the study to me. Rather than examining a physical structure to design the narrative of the past, Nuclear Semiotics is examining the past (and potential futures) to design the narrative of a physical structure.
References:
Trauth, Kathleen, et al. United States, Department of Energy, Sandia National Laboratories. Expert Judgment on Markers to Deter Inadvertent Human Intrusion into the Waste Isolation Pilot Plant. Albuquerque, New Mexico, Government Printing Office, 1993. https://prod-ng.sandia.gov/techlib-noauth/access-control.cgi/1992/921382.pdf
United States, Department of Energy, Office of Nuclear Waste Isolation. Reducing the Likelihood of Future Human Activities That Could Affect Geologic High-level Waste Repositories. Columbus, Ohio, Government Printing Office, 1984. https://www.osti.gov/servlets/purl/6799619
Trauth, Kathleen, et al. United States, Department of Energy, Sandia National Laboratories. Effectiveness of Passive Institutional Controls in Reducing Inadvertent Human Intrusion into the Waste Isolation Pilot Plant for Use in Performance Assessments. Columbus, Ohio, Government Printing Office,1996. https://www.wipp.energy.gov/library/cra/baselinetool/documents/Appendices/EPIC%20Revison%201.PDF
Joyce, Rosemary A. The Future of Nuclear Waste: What Art and Archaeology Can Tell Us About Securing the World’s Most Hazardous Material. New York, NY, Oxford University Press, 2020. https://books.google.com/books?hl=en&lr=&id=R8XLDwAAQBAJ&oi=fnd&pg=PP1&dq=art+in+nuclear+waste+warning+messages&ots=Xj5VaDwT9W&sig=yZVml2hgfFBG-rBRLCNV1nLggqE#v=onepage&q=art%20in%20nuclear%20waste%20warning%20messages&f=false
Anderson, Kelli. Designing for Deep Time: How Art History is Used to Mark Nuclear Waste. Pratt Institute, Master’s Thesis, 2005. http://www.kellianderson.com/MSthesis.pdf
Kaplan, Maureen F and Adams, Mel. “Using the Past to Protect the Future.” Archeology, vol. 39, no. 5, Sept 1986, pp. 51-54. https://www.jstor.org/stable/41731805
Kaplan, Maureen. United States, Department of Energy, Office of Nuclear Waste Isolation. Archeological Data as a Basis For Repository Marker Design. Columbus, Ohio, Government Printing Office, 1982. https://books.google.com/books?id=RxMCF4ncI-8C&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false
Engler, Miriam. “Post-nuclear Monuments, Museums, and Gardens.” Landscape Review, vol. 9, no. 2, 2005, pp. 45-58. https://core.ac.uk/download/pdf/38935797.pdf
This concisely lays out what specifically can be learned from each example, even though none of the examples are sufficient for the purpose on their own. It seems as if the key is how to ensure the continued interaction of physical marker and culture context, as neither seem capable of working on their own. In terms of fears from future archaeology, it seems to me that archaeology continuing as a discipline and practice would presuppose a fair amount of cultural continuity – it's a pretty specifically modern, western thing. But the idea of planting sherds is an interesting reversal of both archaeological practice and the way that "actual shards of pottery etc. got there – rather than accidentally ending up there to be reconstructed into a larger object/meaning, they're created & placed there intentionally to each contain that meaning within themselves. This relates to your last paragraph about the reversal of archaeology...
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